Tobias Titz Photography
20 Mary Street
Carlton North VIC 3054

Tel. 03 93810235
Mob. 0421990647
office@tobiastitz.de


July 2010



Buenos Aires
In the current edition of Monument Magazine you will find a spread about the vibrant architecture and design community in Buenos Aires, which Tobias shot earlier this year. After documenting the “State of Design Festival” in Melbourne the next stopover will be Lisbon - again for the Frontier section of Monument Magazine. Visit www.monumentmagazine.com.au


May 2010



CROSSING ROPER BAR TOUR
The Australian Art Orchestra commissioned Tobias to document the current AAO Crossing Roper Bar tour of the Northern Territory and Arnhem Land.

The Australian Art Orchestra and Young Wagilak Group will tour the Northern Territory beginning with a performance and talk at the opening of the Art Gallery of the Northern Territory’s 'Colour Country' Exhibition and a performance at the Darwin Entertainment Centre.

Seven days of performances and workshops in Ngukurr and, if weather allows, Numbulwar will follow. The tour will be the first journey back to Ngukurr for the core ensemble since 2005 and will provide the opportunity to re-kindle vital connections with the community there. Visit www.aao.com.au


February 2010



MARNTI WARAJANGA
Museum of Australian Democracy at Old Parliament House Canberra, 26 February 2010 – 20 February 2011


Marnti Warajanga – we’re travelling is a collaboration between Wangka Maya Pilbara Aboriginal Language Centre, award-winning photographer Tobias Titz and the Museum of Australian Democracy.

In Marnti Warajanga you will meet Indigenous and non-Indigenous Australians from the Pilbara region of northern Western Australia. In their own words they bear witness to momentous historical movements and reflect on their ongoing work for social and political change at a community and national level.

In Tobias Titz’s unique collaborative portraiture process, each person is photographed with a large format camera using Polaroid Type 665 film. He then photographs the same space without the person in it. Following this, the subjects write something of their choice into the wet ‘empty’ negative. The texts relate to questions about major events such as the Pilbara Strike of 1946, the 1967 Referendum and the 2008 Apology to the Stolen Generations.

Tobias says that providing a place where often long-buried stories can be told ‘allows us to understand where we come from and how to move forward’.

Join these Australians as they tell the story of their journey towards equality in their own country.

www.moadoph.gov.au


January 2010


September 2009